Source: Concordia University http://mediarelations.concordia.ca/mediaroom/pressreleases/2006/10/007854.shtml Owen Eric WoodOctober 19, 2006 Multi-medium and multimedia artist http://www.secteur54.com/artistes_owen_en.html Presentation of the art video Self Portrait "Self Portrait" questions the North American ideology of individuality by bringing attention to the reality of our biological, emotional and spiritual influences of our families. The artist capitalizes on his physical resemblance with his father to illustrate through a series of video fades the undeniable connections the two share. "I’ve always been fighting to separate myself in order to maintain my own identity, but at the same time I’m left feeling isolated from my family," Wood says. "This video piece reassures me of my roots; I am a part of my father, as he is a part of me." The video consists of four segments. After building suspense with the first 30 seconds of the artist simply sitting, staring at the camera, his image slowly fades, becoming his father. This is followed by a sequence of quick fades between the two to reiterate their physical resemblance. In the third segment, the artist’s shirt dissolves, showing his bare chest, which introduces metaphysical notions of the inner self. Then, when the video fades into his father, the aging body body introduces the theme of time — showing both how the artist will look in 30 years and how his father looked 30 years ago. In the last segment, the artist’s father gets up from the chair and walks out of the shot. As he does, his image fades, leaving behind a transparent image of his son, who shortly gets up and follows in the same direction. The empty chair reinforces the idea of time, change and leaving something behind. Presentation of the series Two In a series of self portraits, the artist searches fo solace in loneliness and isolation via a physical, emotional, spiritual and creative journey of the self. Duality is the dominant theme. Two disciplines merge — drawing with photography — to represent the coming together of different parts of the psyche. Though only one person seen, the images create a sense that the artist is not alone, whether it be with duplicate representations of himself or by tricking the viewer into believing that someone else is present, just beyond the camera’s field of view. And yet this illusion is constantly being broken, either by acknowledging the presence of the camera and the act of drawing, or by playing photo-realistic drawings off the realism of photography. Source: Tanya Churchmuch Senior Media Relations Advisor Concordia University Phone: (514) 848-2424, ext. 2518 Cell: (514) 518-3336 Fax: (514) 848-3383 Email: Tanya.Churchmuch@concordia.ca
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